Review: Lady Gaga "Born this way" at 2011 Grammy awards.

2011 Grammy awards: Lady Gaga and her giant Egg

Lady Gaga toned down the weirdness, at least by her standards, and gave her hotly anticipated first performance of new single Born this way at the 2011 Grammy awards. But could the live performance be strong enough to convert me to being a fan of the song?

In a nod to the song title the singer started her performance being born as Lady Gaga- oppose to her human self, Stefani Joanne Angelina Germanotta- from a giant egg  that she claimed to have been in for days. She'd also arrived on the red carpet being carried in said egg, much to the bewilderment, and I guess annoyance, of the other celebrities who had never been upstaged by a giant egg before.

Conceptually the egg thing wasn't a huge leap for the singer, the words "born" and "egg" are pretty much synonymous if you're a bird, and so even though it wasn't particularly weird or outlandish on the Gaga scale of weirdness- remember the blood and the hanging from the chandelier at the VMA's- it was the "weirdest" and "Gaga-est" part of the performance. From that point the gimmicks were ditched and Gaga focused squarely on dancing, singing, and playing the piano to gain the adulation of the crowd.

The performance featured slick choreography, simple staging, a mini organ solo of Toccata and Fugue and a powerful, emotive vocal that communicated a passionate conviction, that is sorely lacking from the studio version, in the songs meaning.

Lady Gaga's performance of Born this way  may have been underwhelming for those who expected Gaga's usual antics, but to me it highlighted how the singer doesn't really need to rely on big production values to impress or amaze. Despite still not liking the song (see my review here), I can't deny Gaga her props as a world class performer.

Watch Lady Gaga perform Born this way live below

Review : Aretha Franklin 2011 Grammy tribute- Christina Aguilera the superstar vocalist is REBORN

Aretha Franklin tribute singers: Florence Welch, Jennifer Hudson,
Christina Aguilera, Martina McBride and Yolanda Adams

The most exciting performance, and the one I was looking most forward to, of the 2011 Grammy Awards was the Aretha Franklin tribute. Divas in training, well in comparison to Ms Franklin, Yolanda Adams, Christina Aguilera, Jennifer Hudson, Martina McBride and Florence Welch all come together on one stage to honour the Queen of Soul by performing some her classic hits.

The Tribute began with a group performance of Aretha's Natural woman that was both lacklustre and flat but it was all change when it came time for the singers to give their solo renditions.

Christina Aguilera sang Aint no way and gave one of the most AUTHENTIC vocal performances of her whole career. It drove not only the audience wild but had the accompanying singers shaking their heads and clapping their hands in appreciation. Stunning!

Next came Martina McBride- who you had to feel sorry for having to follow Christina- and she sung the Areatha classic Till You come back to me. Martina gave a solid, and confident performance that stuck to the original melody of the song. Her voice showed her musical roots as it carried her country twang with it into the performance, but this was in no way a bad thing. Martina's performance was a nice contrast to the bombastic rendition Christina gave before her.

Florence Welch was next and she was the singer I was most looking forward to as I couldn't imagine how her voice would fit tan Aretha classic like Think. Surprisingly she managed to hold her own with a performance that didn't shy away from the big notes, or the original arrangement, but it had to be said the soul was missing. Florence was definitely the weakest out of the line up, but considering she was a last minute addition and who she was singing alongside, there's really no shame or real criticism in that.

Jennifer Hudson is an Aretha in the making and it was unsurprising they gave her Aretha Franklin's most iconic song, Respect. Hudson's vocal run at the end rode those upper-belted notes with so much ease that it makes me wonder how high that voice can go without degrading in quality. Effortless singing.

Yolanda Adams Started with some beautiful low, notes before taking Spirit in the Dark straight to the Church. Her performance as a whole, though perhaps the most understated, was the most impressive for me out of the ladies. It reminded me how that type of singing and voice is too often sadly missing from secular, mainstream music. This is real singing.

The tribute ended with a group rendition of Sisters are doing it from themselves. Ironically it had the "sisters" doing just that by the end of the song as they -minus Hudson who watched Yolanda in what seemed like awe- vied for the spotlight with the obligatory melismatic maelstrom that comes at the close of any self respecting Diva's performance. Good but not great tribute!

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