Showing posts with label florence welch. Show all posts
Showing posts with label florence welch. Show all posts

Saturday, July 2, 2011

Duelling Divas: Who sung "You've got the Love" better, Florence Welch or Joss Stone?

You've got the love is a song with so many twist and turns in its development, not to mention all its subsequent remixes, that I'm not even going to attempt to cover its inception and evolution in this post, because quite frankly I can't even make sense of it.
Instead I present to you the 1986 Funk/disco/ gospel version and its darker, arguably more famous- not to mention my first encounter with the song- 90's house remix entitled the "Now Voyager Radio Mix".

ORIGINAL :


NEW VOYAGER REMIX :


Well now you've sampled the source material, here are the two, distinctly different versions of the classic anthem sung by two stylistically, very different British Divas; Joss Stone and Florence Welch.
But who sung it better? I'll leave that decision with your expert ears! 


Joss Stone: Joss Stone approaches the song with her trademark funk/soul flair, that gives the song a lighter, warmer- and I feel- truer reflection of the songs God praising lyrics. The song is altogether more organic, and earthy than either the original or the Florence version, with Joss' voice shining with an emotion and conviction that is palpable. However, the song lacks the weight or the drama of the original or the Florence version.




Florence Welch: Florence does what she does best and approaches the song from a theatrical perspective, both musically and vocally. Her voice starts off soft and emotive, much like the backing track, and it steadily builds to an almighty, satisfying crescendo. By the end Florence is wailing like a banshee, with her chest voice and quivering vibrato sounding impassioned and frenetic (if not a tad over the top).



Friday, May 27, 2011

Florence Welch (from Florence and the Machine)- Vocal Profile/ Range




Vocal Type: Contralto
Vocal Range:  2 Octaves 2 note F#3-A5
Vocal Pluses: Emotive voice that can go from warm cooing whispers to hard, shrill belted notes in a heartbeat. Strong individual vocal styling that  has been called "soulful" "bluesy" and "powerful". Beautiful head voice.
Vocal Negatives: Top chest notes lose warmth and softness, sometimes sounding uncontrolled and beyond her natural range.


Sunday, February 13, 2011

Review : Aretha Franklin 2011 Grammy tribute- Christina Aguilera the superstar vocalist is REBORN

Aretha Franklin tribute singers: Florence Welch, Jennifer Hudson,
Christina Aguilera, Martina McBride and Yolanda Adams


The most exciting performance, and the one I was looking most forward to, of the 2011 Grammy Awards was the Aretha Franklin tribute. Divas in training, well in comparison to Ms Franklin, Yolanda Adams, Christina Aguilera, Jennifer Hudson, Martina McBride and Florence Welch all come together on one stage to honour the Queen of Soul by performing some her classic hits.
2011 Grammys Aretha Franklin tribute
The Tribute began with a group performance of Aretha's Natural woman that was both lacklustre and flat but it was all change when it came time for the singers to give their solo renditions.

Christina Aguilera sang Aint no way and gave one of the most AUTHENTIC vocal performances of her whole career. It drove not only the audience wild but had the accompanying singers shaking their heads and clapping their hands in appreciation. Stunning!

aguilera grammy 2011Next came Martina McBride- who you had to feel sorry for having to follow Christina- and she sung the Areatha classic Till You come back to me. Martina gave a solid, and confident performance that stuck to the original melody of the song. Her voice showed her musical roots as it carried her country twang with it into the performance, but this was in no way a bad thing. Martina's performance was a nice contrast to the bombastic rendition Christina gave before her.

Florence Welch was next and she was the singer I was most looking forward to as I couldn't imagine how her voice would fit tan Aretha classic like Think. Surprisingly she managed to hold her own with a performance that didn't shy away from the big notes, or the original arrangement, but it had to be said the soul was missing. Florence was definitely the weakest out of the line up, but considering she was a last minute addition and who she was singing alongside, there's really no shame or real criticism in that.

Jennifer Hudson is an Aretha in the making and it was unsurprising they gave her Aretha Franklin's most iconic song, Respect. Hudson's vocal run at the end rode those upper-belted notes with so much ease that it makes me wonder how high that voice can go without degrading in quality. Effortless singing.

Yolanda Adams Started with some beautiful low, notes before taking Spirit in the Dark straight to the Church. Her performance as a whole, though perhaps the most understated, was the most impressive for me out of the ladies. It reminded me how that type of singing and voice is too often sadly missing from secular, mainstream music. This is real singing.

The tribute ended with a group rendition of Sisters are doing it from themselves. Ironically it had the "sisters" doing just that by the end of the song as they -minus Hudson who watched Yolanda in what seemed like awe- vied for the spotlight with the obligatory melismatic maelstrom that comes at the close of any self respecting Diva's performance. Good but not great tribute!