Mariah Carey ABC Christmas Special 2010: Watch and Read the review (lip-synced or not)

Mariah Carey and the stage set up for her ABC Christmas Special

Mariah carey and her mother
embrace after a rousing duet of
Come All ye Faithful

Set List:
1)Oh Santa
2)O Little Town Of Bethlehem / Little Drummer Boy Medley
3)Oh holy night.
4)Here Comes Santa Claus/ Housetop Celebration
5)Charlie Brown Christmas
6)When Christmas Comes:
7)O Joy to the World
8)Christmas time is in the air again:
9)O Come All Ye Faithful/Hallelujah Chorus


Mariah Carey's Christmas Special extravaganza aired on the ABC Network yesterday- much to my excitement- and contained material from both her new (Merry Christmas ii you) and old (Merry Christmas) holiday albums.

The show was clearly a high budget affair with a stage that was decorated beautifully with trees, lights and plenty of glitter. The production also featured a live band, a strings section, a choir and occasional dancers, as well guest appearances from Randy Jackson and her mother, Patricia Carey.



There was some trepidation from me in viewing these performances because, as commented on the review of the Merry Christmas ii you,I feared as the vocals on the album has been enhanced with studio magic she'd be unable to recreate them live. However, not ready to believe that little voice of doubt in the back of my head, I deferred a conclusive opinion until I'd heard her sing the songs live. That moment has arrived. Time to find out if my questioning of her vocal abilities prove unfounded,


Videos and Reviews From Mariah Carey's ABC Christmas Special 2010:


Oh Santa:Best performance of Oh Santa yet. Surprisingly the whistle at 1.49, which i thought was autotuned on the album due to its odd trajectory up and down the scale and tinny quality, may not have been so. She sings it almost exactly the same here live but changes it a bit by stoping it on an ealier note to allow her to catch her breath.

O Little Town Of Bethlehem / Little Drummer Boy Medley: The crowd rose to their feet after this one, but the those belts were too pristine to be live. Right? At 2.53 is an example of why this performance is making me waver in deciding if lipped or not.That vocal is clearly live but sounds so in keeping with the tone and texture of the the belt that leads up to it-which I suspect is lipped- that I don't quite know what to think any more. .

Oh Holy night: An almost carbon copy of the 2000 version of the song. Was convinced this was lipped untill the head note that starts at 2.24 and the wavering that happens at the end of its run. However still not convinced with the liveness of the belt that proceeds it.

Here Comes Santa Claus (Right Down Santa Claus Lane)/Housetop Celebration:Randy Jackson joined Mariah on stage for my least liked song on the album. Performance was vocally on point and the crowd seemed to enjoy it, getting up to dance. The hamming up of her actions on certain parts screams lipped.

Charlie Brown Christmas: Just Mariah and no backing vocals to fall back on or blend into.Fully live, fully awesome. Perfect example of the improvement in texture and quality of Mariah's mid-range (whisper register).

When Christmas Comes:"It's Christmas right?" love the contrast at 1.52 between Mariah's low, thick, alto speaking voice and the light, bright, whistle note that follows. The belts are lipped but Mariah gets a get out of jail free card for this since it contains a lot of high and sustained belted part that could have exhausted her voice mid-way through the show.

O Joy to the World:  Loved the arrangement and the vocals were strong and almost effortless, but you can see they were live with mistakes such as 1.55 where the note didn't quite make it out. My favourite performance of the song after her BET performance a few years back.

Christmas time is in the air again: A live performance that is virtually a copy of the studio version.The high noted "time" at 2.25 going off key for a split second is for anyone who doesn't think it is.

O Come All Ye Faithful/Hallelujah Chorus: The moment anyone who has listened to the album was waiting for; the duet with Mariah and her mother! Unsurprisingly, but surprisingly at the same time, it was spectacularly live and near enough note perfect. Watch how Mariah runs out of breath at 3.20 after the belt, so has to come in late, if you need proof of it being live.
Patricia's voice was stunning, and she made singing looking effortless-especially in contrast to Mariah, who was making some odd faces in the introduction as she navigated her voice- but you'd expect no less from a retired opera singer.Mariah and Mother need to record an album together.Nuff said.

Conclusion:This ABC special proved something important. It wasn't that she could hit practically ever note on the piano-because we knew that- but it's the improvement of the quality of the voice that's doing the hitting of the notes that is shockingly good. It sounds well

Mariah Carey and Jazz band backing
singing Charlie Brown Christmas.

defined and even in texture and tone throughout the range; all qualities that have been in decline since the Charmbracelet album.

But there were still suspicions in the back of my mind that parts of the vocals had been pre-recorded. For every small crack in the voice and off note that showed it was live, there was a high E or F that was so strong and consistent that it couldn't have possibly been live if going on past performances.

Live or not, the most important thing is that Mariah convinced me that the vocals on the Merry Christmas ii you album were all hers and unaided by studio wizardry. This was quite an early Christmas present- as well as a relief- for any Mariah fan to receive this holiday.