Though not exactly Shakespearean in its lyrical composition, the song still has a solid narrative to it that is both endearing and impressive- especially when compared to the poor way similar themes were handled on the terribly literal Born this way.
The RedOne production follows the style of past singles Born this way and Edge of glory in being 80's inspired in its melody and structure, whilst taking its club beats from the early 90's. The resulting sound is dated and awkward in its execution but its neither unbearable or offensive. Thankfully the saxophone that mired Edge of Glory, has been pushed far enough into the background as to not be too off putting on the track.
Gaga's voice is again on fine form on the track, with nice mixture of vocal stylings and textures to suit the backing track accordingly. The song also features, towards the latter half, some of her most coarse, raw and unpolished vocals on a record.
What's becoming clearer with every song released is that Gaga and her producers are creating a sound that is made with the stadium in mind; after all live performances are her strong point. The songs released so far have all had the expansive, euphoric feel and structure that is so reminiscent of the stadium-filling, soft-rock acts of the 80's that the initial promo shot for Born this way alluded to. With this new epiphany, I now reserve the right to amend all my previous opinions on those past releases, until said time that I am able to hear them played at ear slitting levels. ;)
Summary:Vengaboys' We like to party + Alphaville's Forever young+ Brian Adams' Summer of 69 =Hair.
Probably my favourite Gaga track released from Born this way so far.
Ratings:3.5/5
Other Lady Gaga Posts:
- Lady Gaga's Vocal Range
- Born this Way Single Review
- Born this way Video review
- Judas Single Review
- Judas Video Review
- Edge of Glory Review
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